Where Every Smile is a Calculation: The Intense Political Noir of The Broken Crown Saga Will Become Your Next Fantasy Obsession

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Where loyalty shatters, legends are forged.

 

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The King’s Fall

The Broken Crown Saga Book One

by Orlan Drake

Genre: Epic Fantasy

 

 

A Gripping Tale of Royal Betrayal and Hidden Romance

When darkness falls on the kingdom of Ardanthia, readers will find themselves caught up in a story where nothing is what it seems. Princess Eloise faces impossible choices as murder and betrayal tear her world apart. Her secret love for the Prince of Caladorn adds another layer of danger to an already deadly situation. This isn’t just another royal romance – it’s a heart-pounding adventure where love and loyalty clash in the most dangerous ways possible. You’ll feel every moment of tension as Eloise walks the razor’s edge between duty and desire.

 

Mystery and Investigation That Keeps You Guessing

Sir Cedric Blackthorn brings detective skills that would make any crime solver jealous. His brilliant mind works to solve puzzles that could save or destroy an entire kingdom. As Ambassador Zafir arrives with hidden motives and Baron Gorgo schemes from the shadows, every character becomes a suspect. The investigation twists and turns through palace halls filled with secrets. You’ll find yourself trying to solve the mystery alongside Cedric, picking up clues and second-guessing every revelation. The chase scenes will have you on the edge of your seat as our heroes race against time through a kingdom ready to explode into war.

 

Fantasy Adventure That Brings Legends to Life

The Broken Crown Saga starts with this incredible first book that mixes political drama with fantasy elements that feel fresh and exciting. Secret groups work behind the scenes, pulling strings that control the fate of nations. The world-building draws you in completely, making you believe in a place where magic and politics dance together in dangerous ways. This story proves that sometimes solving one crime can prevent an entire war – and that the most important battles happen in the shadows.

 

For readers of David Eddings and Terry Brooks, this sweeping tale of betrayal, magic, and destiny will leave you breathless.

 

 

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The King’s Fall opens not in a throne room, but underground. A secret order — no names, no titles, only cloaks and the authority of old purpose — has gathered around a rune-carved table to debate an incident that should not have happened: a full diplomatic party has been wiped out on the road between two kingdoms, and neither king ordered it. Someone is pulling strings that no one can see. The council is about to do something dangerous. They are going to look.

 

 

There existed beneath the old earth a sanctum kept from all maps and memories, shielded by corridors that twisted into each other with a geometry of deliberate confusion. In the deepest of its halls, a chamber circular and primeval waited in perpetual shadow. The room’s centrepiece, a stone table whose circumference rivalled a city well, had been carved from a single slab of basalt. Its rim and surface bore etched runes and ancient sigils, their purpose unclear to any but initiates of the silent order that convened there.

 

Around this table, shrouded figures gathered, their cloaks indistinguishable but for subtle variations in the weave — one a blue so dark it drank in the torchlight, another a coarse grey laced with fine metallic thread, a third in deep forest green that shed a dusting of spores with every movement. Even in the heart of stone, the air hung moist and cold, saturated with the scent of burnt tallow and the musk of old water. From sconces in the arched walls, torches spat and guttered, casting orange light that slithered across faces as pale and anonymous as death masks.

 

No titles were spoken here, only the functional necessity of names earned and worn like invisible crowns. The magister at the head of the table, tall, angular, motionless save for the slow folding of gloved hands, did not need to identify himself. When he spoke, the voice cut through the stillness as though it had been whetted on the stone itself.

 

“Our watchers are not in agreement.” The words were uninflected, carefully measured.

 

A murmur passed around the circle, not of dissent but of discomfort. The second figure, smaller but with an evident coiled energy, leaned forward. Her hands were bare, fingers long and stained black along the creases, and she tapped the table where the runes formed a broken circle.

 

“It is a minor border skirmish, Sentinal,” she said. “Bloodier than most, but hardly unprecedented. Let the kingdoms squabble among themselves — Ardanthia and Caladorn have always warred at the fringes.” She sounded impatient, as though summoned for a lesser concern.

 

The magister in blue, whose hood cast his face into shadow, spoke with a slight tremor. “The killing was not so minor. An entire diplomatic train vanished — every courier, every retainer, every guard. The ambassador’s body was not even left for ransom. That is new. That is calculated.”

 

The Sentinal allowed the words to settle, scanning the circle with a gaze that seemed to fix on each magister, regardless of where his face was aimed. “Six months ago, an envoy of Ardanthia, Lord Marcus Blackbriar, journeyed south with full ceremonial escort. Their course was direct: Eldoria to Delrith, then through the corridor to Mirashar. Before reaching Delrith, they were set upon and destroyed. Only one man survived, and he staggered back to Eldoria.”

 

“Coward’s tale,” said the woman with the ink-stained hands. “Most witnesses die of their wounds, the lucky ones first.”

 

The Sentinal ignored the snipe. “Our watcher in Eldoria heard the testimony. The survivor told King Leofric himself that the attackers wore the livery of Caladorn. Our watcher in Caladorn, however, tells a different story: they found no evidence of a sanctioned operation. If anything, Caladorn’s own patrols have increased since the incident. Their court desires peace. Their king is tired of war.”

 

A rustling of fabrics, the weight of suspicion shifting around the table. The green-cloaked figure finally broke his silence, voice low and gravelly. “If both kings are ignorant, then who profits from the attack? It’s no longer a border dispute. It’s something else.”

 

A pause, broken only by the hiss of a torch collapsing into itself. The Sentinal’s next words fell heavier for the silence.

 

“Our order exists not to shape events, but to understand them. Yet this affair grows more opaque with every new witness. Either our watchers lie, or we are being lied to. That alone is reason to intervene.”

 

“There’s little evidence it threatens the Balance,” the woman pressed. “What can it matter if kingdoms grind each other to salt? We have seen worse in the east. Nothing endures but the Pattern.”

 

“Unless the Pattern itself is being rewritten,” the blue-hooded man said.

 

At this, the Sentinal brought his palms flat on the runic table, producing a hollow note that echoed into the stone. “We are not theorists. To maintain the balance we need clarity, not further confusion. We will look. Tonight, we summon the memory of that day and see for ourselves.”

 

The woman’s upper lip curled. “The power to see through time is not borrowed lightly, Sentinal. It leaves marks on both the living and the dead.”

 

“We risk more by not knowing,” the Sentinal said. “If our council cannot agree on what is, how can we guide what must be?”

 

The blue-hooded man lifted a hand, uncertain. “If it is as you say, and both sides are being manipulated, then the ritual may be hazardous. Memory is often trapped by the will of those who shaped it.”

 

 

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Twilight’s Dominion

The Broken Crown Saga Book Two

 

 

The peace was always a lie. They just didn’t know whose.

 

Queen Eloise of Ardanthia has done everything right. She negotiated the alliance with Caladorn, married the prince, held her court together through blight and borderland attacks and the whispered threat of an ancient secret order. Now, with villages vanishing overnight — crops blackened, livestock dead, people simply gone — she does what any good ruler would do. She sends her best.

 

Sir Cedric Blackthorn, the precise and principled knight-investigator. Captain Elira, a soldier who has survived too much to flinch at anything. Tomas, a scholar more at home with footnotes than fistfights. Ryn, a street thief from the Saltspire docks whose instincts are worth more than anyone’s education. And Auralias — the Court Mage, brilliant and unsettling in equal measure — who brings knowledge of old magic that none of the others possess, and who may be the only thing standing between Ardanthia and the League of the Moon.

 

Together, they are hunting the League before the League can finish what it started.

 

What they find will change everything they think they know — about the attacks, the conspiracy, and the true scale of what is being assembled in the dark. There are artifacts, older than any living kingdom, whose power was thought lost to history. There are secrets buried so deep that uncovering them will cost more than anyone is prepared to pay. And there is a question, growing louder with every mile: who, exactly, is the enemy?

 

Twilight’s Dominion is a story about loyalty tested to breaking, courts where every smile hides a calculation, and the particular horror of realising that the enemy has been in the room all along. It is about a queen learning that the peace she built was built for her — and a company of mismatched, battle-worn companions who keep fighting even after the ground gives way beneath them.

 

Set across mountain fortresses carved from living rock, fog-wrapped port cities, a besieged royal palace, and the treacherous corridors of two kingdoms in collision, this is epic fantasy for readers who like their politics sharp, their magic consequential, and their betrayals earned.

 

Perfect for readers who love:

 *The political intrigue of A Song of Ice and Fire

*The ensemble loyalty of The Lies of Locke Lamora

*The world-building depth of Robin Hobb

*Characters who are competent, scarred, and worth caring about

 

“There’s no certainty in what’s ahead. But I’d rather die among friends than watch the world go to monsters.”

 

The Broken Crown Saga:
Book One: The King’s Fall
Book Two: Twilight’s Dominion
Book Three: Echoes of Kings – coming soon

 

 

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Twilight’s Dominion opens on two stories running in parallel. In the first, Lady Seraphina D’Argent — a diplomat travelling alone through the unforgiving Crownspine mountains — has just been surrounded by armed strangers on a mountain pass. She has been riding for ten weeks on orders she doesn’t fully understand, heading toward coordinates her queen gave her without explanation. She is about to discover something that will change everything she thought she knew about the world she serves.

 

 

 

The figures came on in absolute silence, fanning out across the trail with the efficiency of wolves. In a matter of seconds they had closed off her retreat and were sliding, almost bonelessly, down the talus to encircle her.

 

Their leader wore a helm that entirely concealed his face, its visor painted with a crude snarl of animal fangs. The others carried composite bows at the ready, arrows nocked, but pointed down — a gesture that managed to be both merciful and contemptuous at once. Seraphina drew Cassia to a halt and set her hands openly on the pommel, every muscle rigid with calculation.

 

“State your business,” the leader growled, voice rendered inhuman by the tin of his visor.

 

Seraphina debated, for perhaps two breaths, whether to attempt bluff or bravado. The bows decided the matter. “I am Lady Seraphina D’Argent, of Armathor,” she replied, “on a mission from Her Majesty Queen Evelina.”

 

The leader turned, a lazy gesture that made mockery of her authority, and a snort went up among his lieutenants. “And your escort?”

 

“Was not permitted.” Seraphina kept her gaze level, though the blood pounded furiously in her ears. “I am to meet with a representative of the Riders, if you are such.”

 

The mention of the Riders produced a shift in the circle. The archers exchanged glances, some wary, some almost amused. The leader drew closer, boots crushing the shallow crust of snow.

 

“You speak too much for a courier,” he observed. “But too little for a spy.” He swept a gauntleted hand at her pack horse. “Open your satchel.”

 

She untied the travel case from the gelding, working fingers gone numb in the cold, and fished out the scroll tube. It was heavy, made of dark wood and brass, the wax seal untouched. She held it up so they could all see the sigil of Caladorn: a pair of crossed sabres over a seven-pointed star. There was a stillness, then a slow, careful release of tension among the archers as the leader nodded, almost respectful.

 

“Walk forward. Slowly,” he said.

 

They escorted her up the ridge, off the trail, through a section of scree so loose that even Cassia balked. For an hour, maybe more, they wound through impossible switchbacks and across narrow spines of rock, each step a new exercise in balance and terror. Finally, the leader raised his hand and the party halted at a narrow saddle between peaks.

 

Seraphina caught her breath, took a long swallow from her water skin, and paused as she noticed what lay beyond the saddle.

 

The city was carved into the living stone of the mountain’s interior, hidden from the world by both geometry and design. Terraced galleries spiralled down the inside face of a gigantic crater, studded with windows and fire-gleaming vents that gave the place an eerie, hive-like vibrance. Slender bridges of bone-white stone spanned the void between rocky spurs, connecting to massive towers whose roofs gaped open to the sky. Far below, at the crater’s deepest point, a plaza of blue granite caught the light of a hundred lanterns, transforming it into a pool of shimmering stars.

 

She had never seen such a thing. She had never heard of such a thing. And yet, as she stood there, wind plucking at her cloak, Seraphina understood instantly, with a sick clarity, that Queen Evelina had always known.

 

They did not take her down the public steps. Instead, the archers led her along a narrow spiral cut into the stone, half-tunnel, half-balcony, with just enough space for one person and a horse at a time. The air grew colder with every turn, and the hum of unseen machinery — bellows, pulleys, some kind of water-driven elevator — echoed from deep within the walls. At last they emerged onto a flagstoned platform where the leader, visor now up, gestured for her to dismount.

 

“Wait here,” he said, less threatening now. “You will be summoned.”

 

Seraphina did not ask how long. She untethered her gloves, flexed her hands, and tried not to shiver in the thin mountain air. The view from the platform was staggering; across the chasm, the terraces of the city glimmered with what looked like glass or ice, and tiny figures moved between the arcades.

 

A boy in a grey tunic arrived, bearing a tray of tea and something that looked like bread but tasted of cedar and salt. He smiled at her with a gentleness that belonged to another world. When she asked him his name, he merely gestured for her to drink.

 

Time stretched, then snapped back when the leader returned, flanked by two more guards in matching visors. “You will come,” he said.

 

 

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I am a new author writing under the pen name Orlan Drake, my real name is Chris Hills Farrow.  I’ve worked as a freelance writer for magazines in the past but have always wanted to write fiction, and after having more free time during the lockdowns, I have made some progress. I enjoy fantasy because it opens my mind to other worlds or ways of life that do not exist in real life, or have ever existed.

 

Website * Facebook * Instagram * Bluesky * Amazon * Goodreads

 

 

 

What inspired you to write this book?

The original idea for The King’s Fall came from a murder/mystery game that I wrote for the website Murder In The House. The game involved the murder of the King where there were a only a certain number of people were present from between six and eight people, depending on how many guests.

The main characters of Auralias, Eloise, Evander, Seraphina, Gorgo, Edric, and Voss were already in the game, with one character that didn’t make it into the book.

I expanded on the premise to bring in the ambassadors and all three kingdoms along with the idea of the old empire.

 

What can we expect from you in the future?

I am working on the third and final book in this series. After that I’m plotting an outline for a standalone science-fiction novel based around a generational ship that leaves Earth after the planet becomes less habitable.

The first part of the book will focus on the society structure on board the vessel as it nears it’s destination several generations into the journey, with the second part exploring how their society would change as they move to the planet and deal with the colonisation effort, but also the new hierarchy that would inevitably evolve once out of the confines of a spaceship and it’s captain and crew.

 

What did you enjoy most about writing this book?

I loved seeing how the characters progressed. Writers often say that the characters take over, which has become a bit of a cliché, but I’ve discovered that it is largely true. Even knowing where the story is intended to go, you have to take the characters personalities and history into account in terms of their reaction to any given events. There were times when I altered my original outline when I realised that certain characters would not behave in a particular way.

The characters also open up other possibilities that at times have led to parts of the book going in a slightly different direction than the one planned. It has resulted in one or two characters becoming more important than their original billing.

 

Do your characters seem to hijack the story or do you feel like you have the reigns of the story?

Some of the characters did gain more importance than originally planned, but they didn’t hijack the story completely. Instead they added more richness to the dynamics and also made parts of the planned story more interesting.

 

What did you edit out of this book?

There was a whole chapter that I remember cutting  that had a lot of court intrigue in it.  I noticed during the re-reading, and when the Editor read it, that it was only reinforcing information that was already in earlier, or sometimes later, chapters. As this particular chapter was now just filler I decided to cut it.

There were other smaller edits made, as is usually the case with books, but this was the biggest one that sticks out in my mind.

 

Do the characters all come to you at the same time or do some of them come to you as you write?

The characters of Eloise, Leofric, Gorgo were there from the very beginning with the others coming along later as I plotted out the goings on at Silverspire Castle.

Ryn was one of the last characters to arrive, both in the story itself, but also in my thoughts on the book before writing. She has also become one of my favourite characters.

 

Pen or type writer or computer?

I use a computer because it makes editing a lot easier. I can also keep each draft of my manuscripts, outlines and other materials, and refer back to them, or search for information in them, easily.

 

What is your writing process? For instance do you do an outline first? Do you do the chapters first?

I start with a general outline of the idea I have. I gradually expand that into an outline and eventually into chapters, which is where I try to sort out the pacing of the book. The outline also helps me to follow the various plot threads to avoid plot holes or inconsistencies. My editor does this as well while reading the finished manuscript, but I try hard to get it as right as possible first time.

No matter how much planning you do, I doubt that many people, if any, have ever written something of these lengths without further edits or issues being noticed by an editor. Sometimes you can be too close to a project to notice plot holes. It’s very easy to edit something out and forget to keep one vital piece of information that is needed later in the story.

 

 

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6 Comments

  1. Lisa Brown

    I like the story line and the cover is fantastic.

  2. Marcy Meyer

    Sounds like a really good fantasy story. I like the excerpt.

  3. heather

    Sounds like a real page turner and I like the cover too.

  4. Cathy French

    Love the covers for this epic fantasy. I enjoyed reading the excerpts

  5. wendy hutton

    love the covers, the excerpt sounds really good great storyline

  6. Rita Wray

    Sounds great, thank you for sharing.

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